ASYNCHRONOUS with OPTIONAL LIVE ELEMENTS
It’s been said that a picture is worth a thousand words. Yet the addition of photographs to text yields surprising results that can greatly deepen the impact of poetry, narrative and other written forms. The text/image form, as described by artist Duane Michals exists “not to tell you what you can see, rather to express what is invisible.”
This highly experimental workshop will encourage and inspire students to combine text and photographs to tell their stories in a new way. You will use weekly prompts to write words about photographs and make photographs about words, using your own work, as well as responding to the work of others.
We will also review the practices of master artists and authors who have successfully combined the word and the photograph into books, conceptual projects and digital formats. You will leave with a broad understanding of the image/text form and how it can enhance an ongoing creative practice, while expanding your authentic voice. No previous photography experience is necessary (though feedback is tailored for all levels from beginner to expert). Assignments can be done with an iPhone, Android device, or the camera of your choice.
OPTIONAL LIVE ELEMENTS: The instructor will hold optional individual Zoom meetings with students during the third week of class. There will also be an optional informal class gathering on the last day of the workshop.
Joanne Dugan is a New York City based visual artist and photographer who summered on Cape Cod as a child. Her work has been exhibited in galleries in the US, Europe and Japan, and featured in The New York Times T Magazine and the Harvard Review. Her work has been published in seven books combining image and text, including Summertime (Chronicle Books) and ABC NYC: A Book About Seeing New York City (Abrams Books). Her limited edition fine-art monograph, Mostly True is in the permanent library collections of the J. Paul Getty Museum, The Los Angeles County Museum of Art and the George Eastman House. She is on the faculty of the International Center of Photography in New York City and is represented by Black Box Projects Gallery (London) and the Kopeikin Gallery (Los Angeles).